DANIELLE BOWLER REVIEWING Steve McQueen’s Small Axe, a collection of films, for The New Yorker, the masterful cultural critic Doreen St Félix writes: “One way to measure a filmmaker’s commitment to his subject is to look at the not so minor details, such as costumes, wigs, and food. If the paraphernalia of a people doesn’t feel forged but, rather, appears to have been lifted unmolested from observation or memory, or both, then the effect is immersion – the melding of reality with the world of the screen. Black folks haven’t often felt that rush.” She finds in McQueen’s work “a kind of revolutionary…