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The Nigerian nomad growing Africa’s digital future

The Nigerian nomad growing Africa’s digital future

ENUGU, known locally as Coal City after its early source of wealth, today presents a serene contrast to the frantic pace of Nigeria’s larger coastal metropolises. Nestled beneath the rolling greenery of the Udi Hills, the city is defined by its wide, tree-lined avenues and a slower, more intentional rhythm of life. This is where Sophia Ahuoyiza has chosen to build. The software and content developer began her career in Lagos, where she learned to code and started working in software development. Today her work includes a far more diverse portfolio; she moves across software development, mentoring students, and participating…
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Zimbabwe backs homegrown content with new funding drive

Zimbabwe backs homegrown content with new funding drive

ZIMBABWE is backing its creative sector with targeted public funding, setting aside US$10 million for local content production as part of an effort to strengthen national broadcasting and expand homegrown storytelling. The country is targeting both the cost of filming and the economics of building studios, signalling a broader move to treat storytelling as a supply chain rather than an output. “This is about moving up the value chain,” said Tinotenda Machida, a Harare-based producer familiar with regional production dynamics. “If you don’t have post-production locally, you are exporting your margins. What Zimbabwe is trying to do is keep that…
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‘The Fisherman,’ a Ghanaian story of dreams, comedy, and a touch of magic

‘The Fisherman,’ a Ghanaian story of dreams, comedy, and a touch of magic

THE lights dim at Westgate Cinema in Nairobi, and within minutes, a retired fisherman appears large on the screen, arguing with a fish that talks back. Around him, younger companions debate money, risk, and opportunity, while the audience laughs, loudly and often, at scenes that feel both absurd and familiar. By the time the credits roll, the film has done more than entertain; it has landed as part of a broader shift in how African stories are being told and where they are being seen. ‘The Fisherman’, directed by Zoey Martinson, recently arrived in Kenyan cinemas as part of a…
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Jemima Kakizi is rewriting the future of Rwandan art

Jemima Kakizi is rewriting the future of Rwandan art

THE drill-like sounds of a tufting gun cut through the quiet of a hilltop neighbourhood on a sunny morning in Kigali, Rwanda. With focused precision, Ethiopian artist Tsega Zewde Rago guides the handheld machine, punching multicoloured yarn through a taut canvas. Rago is a graduate of the prestigious Alle School of Fine Arts and Design at Addis Ababa University. When her family moved to Kigali about two years ago, she sought a creative shift and taught herself to tuft using online videos. She had been an active member of the art community in Addis and was eager to collaborate with…
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Inside The Manosphere exposes online hate and the dying voice of traditional media

Inside The Manosphere exposes online hate and the dying voice of traditional media

BRITISH-AMERICAN journalist and filmmaker Louis Theroux has a long history of documenting outlandish and extremist communities, from the Westboro Baptist Church in The Most Hated Family In America to The Settlers in the West Bank. His deadpan, nerdish delivery, in contrast to his interviewees’ more animated behaviour, has become a signature style. The humour in these awkward scenarios makes him a bit of a legend in the internet era. He gave South Africa one of its earliest memes when he interviewed a gangster for his documentary Law and Disorder in Johannesburg. With a new documentary, Inside The Manosphere, on Netflix,…
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The groom who never got his day

The groom who never got his day

THERE is a particular cruelty in dying on the cusp of joy. Not in the middle of grief, not in the depths of struggle - but right there, at the threshold of the most beautiful morning of your life, with the flowers ordered, the guests invited, and love standing patient on the other side of the door. That was the precise geography of Gofaone Gabriel Modise's passing - a man taken from us on Sunday, 29 March 2026, only days before he was to stand at the altar and pledge his life to the woman he loved. Botswana has lost…
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From bean to bar: How Viviane Kouamé is building the “Made in Cote d’Ivoire” brand

From bean to bar: How Viviane Kouamé is building the “Made in Cote d’Ivoire” brand

INSIDE a humming workshop in Abidjan, black-gloved hands move with rhythmic precision, sorting through mounds of roasted beans. Behind industrial machines and stainless steel vats, a master artisan leans over a workstation, her chef’s collar stitched with the national colours of Côte d’Ivoire. Only as the machines begin to pour does the true scale of this transformation become clear, as the raw harvest finally melts into thick, glossy ribbons and gold-painted squares. At her location on Rue Sol-Béni in Riviera 3, a bustling area of Abidjan's Cocody district, Viviane Kouamé is hard at work in the workshop she founded in…
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When Hova went to Kasaï

When Hova went to Kasaï

NOBODY asked Jay-Z to do this. That is the most important thing to understand about the cover of GQ's April 2026 issue. Nobody sent Shawn Corey Carter a memo. No delegation from Kinshasa flew to New York. No African Union subcommittee on cultural diplomacy tabled a motion. The man simply sat down — or stood up, or however one poses with a Kifwebe mask — and, with characteristic nonchalance, delivered what may be the most consequential act of African cultural promotion since Miriam Makeba sang at the United Nations in 1963. He did it, as Congolese musician Alesh noted with…
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Makemation: a Nollywood movie that shows AI in action in Africa

Makemation: a Nollywood movie that shows AI in action in Africa

A new feature film, Makemation, is an African coming-of-age story set in a time of artificial intelligence (AI). Makemation was produced by Nigerian AI-developer-turned-filmmaker Toyosi Akerele-Ogunsiji. As conversations about AI are dominated by external global powers, his film offers a different vantage point: an AI story rooted in African realities. After a successful run in Nigerian cinemas in 2025, it’s now touring internationally, and I attended a screening at the Harvard Centre for African Studies. It was followed by a discussion with its producer and economist Ebehi Iyoha, who researches AI in Africa. The evening foregrounded precisely what the film…
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Canal+ leverages AI to win over African audiences

Canal+ leverages AI to win over African audiences

AFRICAN streaming subscribers could soon see a more personalised and potentially cheaper viewing experience for local content as French media giant Canal+ rolls out artificial intelligence tools following its acquisition of MultiChoice. The company plans to use AI to better understand audience preferences and recommend films, series and sports that resonate with viewers across different African markets. From June 2026, it said subscribers will start receiving tailored recommendations that highlight locally produced shows, regional languages and culturally relevant stories. Currently, subscribers have to scroll through vast libraries and sift through a mix of foreign and local titles to view their…
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