Senegal’s lone developer fights to revive photography with film
FROM a concrete jetty on Dakar's sun-baked coastline, Senegalese photographer Amy Saar clicked the shutter of her vintage Pentax camera, capturing the light of the horizon on colour film purchased from the country's only developer. "Dakar looks great with certain coloured films because they really bring out the warm, vibrant colours," Saar said, loading a fresh roll into the camera. "Film can be really great in Africa because in general, it’s sunny (and) very colourful.” Saar is part of a growing resurgence of analogue photography enthusiasts in Senegal, nurtured by Le Sel studio in the capital’s Ouakam neighbourhood. Founded two…